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	<title>Portfolio :: Aapo Huhta </title>
	<link>https://aapohuhta.com</link>
	<description>Portfolio :: Aapo Huhta </description>
	<pubDate>Wed, 04 Feb 2026 13:38:50 +0000</pubDate>
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		<title>Home</title>
				
		<link>https://aapohuhta.com/Home</link>

		<pubDate>Fri, 14 May 2021 17:49:15 +0000</pubDate>

		<dc:creator>Portfolio :: Aapo Huhta </dc:creator>

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		<title>About</title>
				
		<link>https://aapohuhta.com/About</link>

		<pubDate>Fri, 14 May 2021 17:49:15 +0000</pubDate>

		<dc:creator>Portfolio :: Aapo Huhta </dc:creator>

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You can download the CV here.

Contact+358 44 32 99 871aapohuhta $ gmail . comStudio: 
Viipurinkatu 100510 Helsinki
Finland

RepresentationGalleria HeinoErottajankatu 9 A 100120 Helsinki
FinlandTel. +358 (0)9 672 678info $ galleriaheino . comwww.galleriaheino.com

 

	










Aapo Huhta (b. 1985) is a photographic artist based in Helsinki. His work explores the terrain between documentary and abstraction through experimental image-making processes, often using the human body as a central element.

His recent photographic series, Gravity (Kult Books, 2023), presents black-and-white portraits and traces of bodily forms that appear to hover in dense, impenetrable darkness. The series marks a turn towards a more abstract, existential, and materially unstable approach, moving away from the documentary-based methods that had characterised his earlier works.Photobooks constitute an essential part of Huhta’s artistic practice, functioning alongside exhibitions as a primary form within his photographic process. He has published four monographs: Block (Kehrer Verlag, 2015), Omatandangole (Kehrer Verlag, 2019), The Young Artist of the Year 2020 (Tampere Art Museum, 2020), and Gravity (Kult Books, 2023). 


Huhta was named Young Nordic Photographer of the Year by Fotografiska in 2015 and took part in the Joop Swart Masterclass in 2016. In 2020, he received Finland’s Young Artist of the Year Award.

Huhta is also known for his freelance assignment works. His work has been published in Vice, The Guardian/The Observer, Bloomberg Businessweek, Stern, The Washington Post, Financial Times, Die Zeit Magazine, Dazed Digital, Morgenbladet, Paper Journal, Fotografia Magazine, Suomen Kuvalehti, Image and Helsingin Sanomat among others.
Current&#38;nbsp; exhibitionsLes Rencontres d'Arles, France, 6.7.2026 – 4.10.2026
Fotografiska Tallinn, Estonia, 6.5.2026&#38;nbsp;– 13.9.2026
Past
 exhibitionsGalleria Heino, Helsinki, 14.3.2026 – 12.4.2026
Porvoo Art Hall, 28.11.2025 – 04.01.2026

Galleria Ratamo, Jyväskylä 2025

Photographic Centre Nykyaika, Tampere 2025
Fotogalleri Vasli Souza, Oslo 2023
Galleria Heino, Helsinki 2023
Galleria Heino, Helsinki 2022

Aboa Vetus &#38;amp; Ars Nova, Turku 2021
Galleri Vasli Souza, Oslo 2020
MAST, Bologna 2020
Tampere Art Museum, Tampere 2020Nordic Light Festival of Photography, Kristiansund 2020
Mai Manó Ház, Budapest 2020
Northern Photographic Centre, Oulu 2019Photographic Centre Nykyaika, Tampere 2019
Creat Space, Helsinki 2018
Fotografiska, Stockholm 2016
Kehrer Galerie, Berlin 2016
Galleria Kipinä, Lahti 2015
Center of Photography Peri, Turku 2013
Espoo Culture Centre, Espoo 2012
Recent Art FairsPhoto Basel (CH), 2025
Paris Photo (FR), 2024
Aipad (US), 2024

High Desert Art Fair (US), 2024

Zona Maco (MX), 2024

Photo London (UK), 2023

FeaturedBritish Journal of PhotographyThe Washington Post
American Suburb X
Juxtapoz Magazine
FK MagazinePaper JournalUnseen PlatformPhoto EyeGUP MagazineUrbanauticaaPhotoEditorMull It OverAint-Bad MagazineFotografia MagazineHelsingin SanomatTurun SanomatVerve PhotoLens CultureNew York Times
YleViceDie Zeit Magazine
Punkt
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		<title>Museo</title>
				
		<link>https://aapohuhta.com/Museo</link>

		<pubDate>Wed, 04 Feb 2026 13:38:50 +0000</pubDate>

		<dc:creator>Portfolio :: Aapo Huhta </dc:creator>

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The majority of Aapo Huhta’s new works initially appear thoroughly abstract. At first, one sees only monochrome, asymmetric fields of ambiguous proportions. Stark contrasts, crisp outlines. 


Black continents adrift, their dense mass rising out of a pale, primordial sea.


Then, suddenly, one begins observing infinitesimal details. Subtle shading within the dark areas. Tufts of hair. As the brain processes the signals received via the optic nerve, Huhta’s works seem to transfigure. A three-dimensional space opens up within them, and the previously silent, flat forms gain mass and volume. They become bodies in the most prosaic sense of the word; that is to say, they become human bodies. Within a split second, the impression of immaterial abstraction has crumbled.


This chain of events is inevitable. It is, after all, within our human nature to perceive our own species on the basis of the subtlest of visual cues: we see faces in the surfaces of celestial bodies, sex organs in flowers, and outstretched arms in the branches of trees. Once discerned, the bodies in Huhta’s works cannot be unseen. 


And yet, Museo is undeniably Huhta’s most obscure series to date. Known as an artist working with photography, he has gradually moved away from the traditional documentary approach of his early career. As it stands, Huhta is no longer concerned with depicting—or, indeed, capturing—any specific events or decisive moments in time. What has at some point taken place in front of the camera is not of any particular importance. Many of these new works are to be understood as literal photographs: they are drawings, graphé, made with light, phōtós, using analogue methods. 


By rejecting figurative norms, Huhta dismantles the established principles of photography. In Museo, he abandons realism and purposefully obfuscates the role of the camera in his creative process. He presents the human body in a way that leaves the viewer uncertain whether the image originates in physical reality at all.


The restrained aesthetic and ambiguity of Museo carry an existential charge. Huhta frames the body as mutable organic material. This is a neutral fact rather than a lament over the ephemerality of life. Visual signs of ageing such as sagging, wrinkles, lumps and growths are not inherently sad, and their supposed ugliness is but a flimsy construct. In earlier works such as Omatandangole (2019), the human form has seemed to function as a representation of mankind. Such symbolism has been stripped away in Museo, with Huhta now first and foremost depicting the body as a biological entity. 


A quote from John Dewey succinctly sums up Huhta’s artistic practice: “Each medium says something that cannot be uttered as well or as completely in any other tongue.” This is especially true in the case of Museo, a work that is somehow both sparse and extraordinarily detailed. Such a contradiction cannot be translated into any other language—it only exists here, within the grammar of Huhta’s photographs.&#38;nbsp; 
– Helen Korpak
 
In the Museo series, Aapo Huhta approaches the camera less as a tool for documenting than as a means of gathering light. In these photographs, the human body appears as silhouettes, masses, and lines.



In part of the series, bodies are placed before the camera and used almost as templates to form simple geometric shapes. Other photographs draw on gestures collected from various archives. Embraces, struggles, and dances are lifted from their original contexts until only the gestures remain. As identity fades, the body appears as a site where time leaves its traces, with gravity as its sculptor. Photographs for the series were shot between 2024 and 2025.
Museo at Galleria Heino, 14.3.2026-12.4.2026.

Installation shots by Pertti Kärki.
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		<title>Gravity</title>
				
		<link>https://aapohuhta.com/Gravity</link>

		<pubDate>Sun, 02 Jul 2023 19:46:41 +0000</pubDate>

		<dc:creator>Portfolio :: Aapo Huhta </dc:creator>

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Gravity
When [...] the world of clear and articulate objects is abolished, our perceptual being [...]
evolves a spatiality without things. This is what happens in the night. Night is not an object
before me; it enwraps me and infiltrates through all my senses [...]. Night has no outlines;
[...] it is pure depth without foreground or background, without surfaces and without any
distance separating it from me.

					
Maurice Merleau-Ponty: Phenomenology of Perception

					
In his new austerely black and white work, Aapo Huhta fills his photographs with a darkness
so impenetrable that it dissolves the horizon. This nocturnal void is inhabited by human
figures that seem to be shrouded in milky mist or exist behind a veil of cosmic radiation.
They are simultaneously both painfully corporeal and infinitely distant, almost like visual
echoes from another dimension. These bodies give us no information on the space they
inhabit, because their existence does not adhere to the familiar laws of physics.

					
Three-dimensionality is at peril when Huhta partly dismantles the figurative tradition of the
photograph. Through the use of analog processes and methods, he creates works that warp
space and time in a way that borders on the grotesque. There is a sense of great urgency in
the way in which the artist distorts the contours of the human body: these beings are above
all to be described as mortals.

					
The series Gravity sees Huhta progress along the path of existential discovery. His artistic
work has always been concerned with man's relation to surrounding space, and has over the
years gradually moved away from its documentary origins towards an increasing level of
abstraction. The human figure is a constant subject in Huhta's photography, usually in a
highly anonymized form. When reduced to merely a shadowy silhouette, as was the case in
the artist's previous series Omatandangole, the individual body becomes a symbol for
humanity and can take on a multitude of meanings. Gravity sees Huhta abruptly invert the
colour scheme, moving away from the blistering sunshine of his earlier work. As day turns to
night, the presence of death makes itself known.

					
Gravity seems to take place just outside of the imaginary event horizon of a fantastic black
hole, in a limbo where both matter and concepts are altered to the point of collapse. The
disintegration of the body is exposed in all its terrifying beauty as Huhta rejects the norms of
depicting the human individual. But embedded within the endless night of Gravity's outer
space are clues of what lies beyond the final loss of power: the end is an enduring arid
landscape. This, then, is what peace looks like.
An essay by Helen Korpak
&#60;img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/fa797e12939ea742f50c650049d99fa8be02013c6a3686dd855db493beb18518/IMG_2839.jpg" data-mid="187169326" border="0"  src="https://freight.cargo.site/w/1000/i/fa797e12939ea742f50c650049d99fa8be02013c6a3686dd855db493beb18518/IMG_2839.jpg" /&#62;&#60;img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/a1ea4f375315922e1a36e1b8a0b0f445d88dcc4acae93df27a7ae8c5acd8a866/_DSF9323.jpg" data-mid="186564837" border="0"  src="https://freight.cargo.site/w/1000/i/a1ea4f375315922e1a36e1b8a0b0f445d88dcc4acae93df27a7ae8c5acd8a866/_DSF9323.jpg" /&#62;
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&#60;img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/ad57df771545a121e15f8dfe6d9f9ea8dee9e89a84607bf92dd0c44e4b345a6b/_DSF9316.jpg" data-mid="186564831" border="0"  src="https://freight.cargo.site/w/1000/i/ad57df771545a121e15f8dfe6d9f9ea8dee9e89a84607bf92dd0c44e4b345a6b/_DSF9316.jpg" /&#62;
 
&#60;img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/26d5955b7f8f11940f19293c0f9b23b3044d58b35ea1818f6fd457f164dab865/_DSF9314.jpg" data-mid="186564829" border="0"  src="https://freight.cargo.site/w/1000/i/26d5955b7f8f11940f19293c0f9b23b3044d58b35ea1818f6fd457f164dab865/_DSF9314.jpg" /&#62;&#60;img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/82f9046b6d627992e5010d2264fdc9616126aaa1f7681899eb1fc63d2989fd1d/_DSF9311.jpg" data-mid="186564826" border="0"  src="https://freight.cargo.site/w/1000/i/82f9046b6d627992e5010d2264fdc9616126aaa1f7681899eb1fc63d2989fd1d/_DSF9311.jpg" /&#62;&#60;img width="1280" height="854" width_o="1280" height_o="854" data-src="https://freight.cargo.site/t/original/i/3f90f69b3d9bf1c15bbbfb6f252e42cd3649579cf422bfbfb8c2dbec1aedcd6f/2023_11_VS_Aapo_Huhta_WebRes_02-scaled-1.jpg" data-mid="198860134" border="0"  src="https://freight.cargo.site/w/1000/i/3f90f69b3d9bf1c15bbbfb6f252e42cd3649579cf422bfbfb8c2dbec1aedcd6f/2023_11_VS_Aapo_Huhta_WebRes_02-scaled-1.jpg" /&#62;&#60;img width="1280" height="854" width_o="1280" height_o="854" data-src="https://freight.cargo.site/t/original/i/f3c204b3dd1e19e3e7983fd46794b2ec9b5faf6a97baeb89b557fd88d217d75d/2023_11_VS_Aapo_Huhta_WebRes_04-scaled.jpg" data-mid="198860135" border="0"  src="https://freight.cargo.site/w/1000/i/f3c204b3dd1e19e3e7983fd46794b2ec9b5faf6a97baeb89b557fd88d217d75d/2023_11_VS_Aapo_Huhta_WebRes_04-scaled.jpg" /&#62;&#60;img width="1280" height="859" width_o="1280" height_o="859" data-src="https://freight.cargo.site/t/original/i/351321049e1efb6676768979c9a561c6e4edb9fb701c5e97a00a3444aa2f95e4/IMG_2998.jpg" data-mid="187169332" border="0"  src="https://freight.cargo.site/w/1000/i/351321049e1efb6676768979c9a561c6e4edb9fb701c5e97a00a3444aa2f95e4/IMG_2998.jpg" /&#62;&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/923a786a901eb1fe220c23aac2714bc4d20b8d3b009b6662b60fe2a2f682c3a6/Figure_71.jpg" data-mid="183949088" border="0"  src="https://freight.cargo.site/w/1000/i/923a786a901eb1fe220c23aac2714bc4d20b8d3b009b6662b60fe2a2f682c3a6/Figure_71.jpg" /&#62;&#60;img width="1280" height="827" width_o="1280" height_o="827" data-src="https://freight.cargo.site/t/original/i/b73f3b78d449201e985570050e4bfac8a932ea7b49173498b7f95d80065f4120/IMG_2862.jpg" data-mid="187169328" border="0"  src="https://freight.cargo.site/w/1000/i/b73f3b78d449201e985570050e4bfac8a932ea7b49173498b7f95d80065f4120/IMG_2862.jpg" /&#62;&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/c2586f3f7c9a35bd6c5e2e9141fbad6d0c97f440ecec1b70f1053009b62b4d5c/Nykyaika1.jpg" data-mid="226436967" border="0"  src="https://freight.cargo.site/w/1000/i/c2586f3f7c9a35bd6c5e2e9141fbad6d0c97f440ecec1b70f1053009b62b4d5c/Nykyaika1.jpg" /&#62;&#60;img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/77c2a68d5d70ef477e3953311075e05eab41ef1f1b2d2dbf923c7d7320ceb10b/Momentum-1.jpg" data-mid="221884284" border="0"  src="https://freight.cargo.site/w/1000/i/77c2a68d5d70ef477e3953311075e05eab41ef1f1b2d2dbf923c7d7320ceb10b/Momentum-1.jpg" /&#62;EXHIBITIONS
 Galleria Heino, Helsinki, 5.8.2023-27.8.2023.Fotogalleria Vasli Souza, Oslo, 3.11.2023-26.11.2023.
Paris Photo, Paris, 7.11.-10.11.2024.
Photographic Centre Nykyaika, Tampere, 










11.1.–9.2.2025.

Galleria Ratamo, Jyväskylä 13.2.–9.3.2025.
Porvoo Art Hall, Porvoo &#38;nbsp;28.11.2025 – 04.01.2026.




PRESS

The Washington PostAmerican Suburb X
Juxtapoz Magazine
Discarded Magazine
Lomography Magazine
FK Magazine
Phases Magazine
Phroom Magazine
Taide-lehti



FOR SALEGravity is published by Kult Books. You can buy it from these stores:
Kult Books, Stockholm
Photographic Gallery Hippolyte, HelsinkiGallery Heino, HelsinkiKonst/ig Books, StockholmTipi Bookshop, Brussels
Antenne Books, London
Le Bal, Paris
Artphilein, Switzerland
Laitapuoti, Tampere
Luova, Helsinki
Nide, Helsinki
Photo Book Corner, Lisbon
Photobookstore, UK
Yvon Lambert, Paris

Printed Matter, New York
Photo Eye, Santa Fe
If you want a signed copy, please send me an email.Installation shots by Pertti Kärki and Tor S. Ulstein.


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	</item>
		
		
	<item>
		<title>In Limbo</title>
				
		<link>https://aapohuhta.com/In-Limbo</link>

		<pubDate>Mon, 02 Dec 2024 20:35:22 +0000</pubDate>

		<dc:creator>Portfolio :: Aapo Huhta </dc:creator>

		<guid isPermaLink="true">https://aapohuhta.com/In-Limbo</guid>

		<description>&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/d347d860c036f2886fb265bd51a36cafd12fda78553783b3773ecbff47b24657/AapoHuhta_InLimb_Stills_001.jpg" data-mid="222756534" border="0"  src="https://freight.cargo.site/w/1000/i/d347d860c036f2886fb265bd51a36cafd12fda78553783b3773ecbff47b24657/AapoHuhta_InLimb_Stills_001.jpg" /&#62;
In Limbo5K Video from 16mm film, 8:40 min.EXHIBITIONS
 Galleria Heino, Helsinki, 5.8.2023-27.8.2023.Sinne, Helsinki, 25.7.2023-7.8.2023.
Photographic Centre Nykyaika, Tampere, 11.1.–9.2.2025
</description>
		
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	<item>
		<title>Omatandangole</title>
				
		<link>https://aapohuhta.com/Omatandangole</link>

		<pubDate>Fri, 14 May 2021 17:49:15 +0000</pubDate>

		<dc:creator>Portfolio :: Aapo Huhta </dc:creator>

		<guid isPermaLink="true">https://aapohuhta.com/Omatandangole</guid>

		<description>&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/99c819576b15369836f8d1d7d8ebc1be1961e779232574a019c2be2b5961e4c3/OmatandangoleBookSpreads_001.jpg" data-mid="108475258" border="0"  src="https://freight.cargo.site/w/1000/i/99c819576b15369836f8d1d7d8ebc1be1961e779232574a019c2be2b5961e4c3/OmatandangoleBookSpreads_001.jpg" /&#62;Omatandangole
Omatandangole is a photo book, shot in the Namibian desert between 2016-2018. The book is published by Kehrer Verlag, 2019.”Like bad memories, things disappear into the shadows. Huhta’s brand of camouflage is about invisibility, merging with dark, staying still, soaking up all light. These photographs seem to have fingerprints, or brush strokes. There’s an anachronistic pictorialist feel to them, like the rubbing and pushing of gum bichromate. Rather than recording the space before a lens, they pay homage to paint, sacred geometry, dream logic, and the weather system of emotions within the artist himself. But it’s a weather system with enough charge to blow across the reader as well, like heat on skin, sand in the eye, and dry darkness from the far recesses of the soul.” – Sarah Bay Gachot, Photo Eye 2019“Sometimes it doesn’t even look like the planet we know, though it might be the one we’re in the process of making (or rather, destroying). There is perhaps some consolation in the purity of this scoured landscape that Huhta evokes, the sense that at least something will endure, shown by the presence of strangely altered plants and animals. These encounters demonstrate how such a fearsome landscape occasions some fundamental disordering of the categories we take for granted, revealing how the oppositions of organic and inorganic, natural and unnatural, are really just a consequence of our finite view.” – Darren Campion, Unseen Platform 2018”The photographs were taken in Namibia, but the book is really more of a work about the photographer’s inner life. “Omatandangole” is made up of high-contrast black and white images, interspersed with a few color images. And rather than being a purely descriptive record of what the country looks like, they are rich with symbolism, a testament to the photographer’s mind-set while working on the project.” – Kenneth Dickerman, The Washington Post 2019“Even though our surroundings are chaotic and broken it is possible to create photographs that show them as complete and pristine, so unlike what they are in reality. And yet – in that brief moment that is captured by the camera, wasn’t that sense of completeness true for a fleeting moment? An elusive bliss that can dissolve as fast as it emerged.” – Aapo Huhta





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&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/81b21c4e6f50a2ecdba19b550452ce64ec497970c981e50b4005c6f51a94cab1/OmatandangoleWEB_014.jpg" data-mid="108475279" border="0"  src="https://freight.cargo.site/w/1000/i/81b21c4e6f50a2ecdba19b550452ce64ec497970c981e50b4005c6f51a94cab1/OmatandangoleWEB_014.jpg" /&#62;
&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/d974aa9745435f8e12c48f99d3dc8c9ff641e59c60a4a82c11a98a385b93b777/OmatandangoleBookSpreads_004.jpg" data-mid="108475261" border="0"  src="https://freight.cargo.site/w/1000/i/d974aa9745435f8e12c48f99d3dc8c9ff641e59c60a4a82c11a98a385b93b777/OmatandangoleBookSpreads_004.jpg" /&#62;
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&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/8a38112e53cd9ff0a45a7a751dfcc0a8b2ddb1db74cd9fc995b363478e7c528b/OmatandangoleWEB_015.jpg" data-mid="108475280" border="0"  src="https://freight.cargo.site/w/1000/i/8a38112e53cd9ff0a45a7a751dfcc0a8b2ddb1db74cd9fc995b363478e7c528b/OmatandangoleWEB_015.jpg" /&#62;
&#60;img width="1280" height="1706" width_o="1280" height_o="1706" data-src="https://freight.cargo.site/t/original/i/37d5ad35d180a74fc410edb4557953d37833400496f62dc335e40bff224a2718/OmatandangoleWEB_018.jpg" data-mid="108475283" border="0"  src="https://freight.cargo.site/w/1000/i/37d5ad35d180a74fc410edb4557953d37833400496f62dc335e40bff224a2718/OmatandangoleWEB_018.jpg" /&#62;
&#60;img width="1280" height="1706" width_o="1280" height_o="1706" data-src="https://freight.cargo.site/t/original/i/dc5cd627c36e78c71993405848382614211ddea274fd55b96b5c2234ca428970/OmatandangoleWEB_020.jpg" data-mid="108475285" border="0"  src="https://freight.cargo.site/w/1000/i/dc5cd627c36e78c71993405848382614211ddea274fd55b96b5c2234ca428970/OmatandangoleWEB_020.jpg" /&#62;

&#60;img width="1280" height="1706" width_o="1280" height_o="1706" data-src="https://freight.cargo.site/t/original/i/2777fc2de53241c0c8f465cf15d423928f6feee31d0b396762bff654bd724f69/OmatandangoleWEB_021.jpg" data-mid="108475256" border="0"  src="https://freight.cargo.site/w/1000/i/2777fc2de53241c0c8f465cf15d423928f6feee31d0b396762bff654bd724f69/OmatandangoleWEB_021.jpg" /&#62;&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/f9de120414ed2131b53b16b19b038ec25624de611efc9b90be28c35a1f53c9ab/AapoHuhta_VNT_ArsNova_007.jpg" data-mid="108475326" border="0"  src="https://freight.cargo.site/w/1000/i/f9de120414ed2131b53b16b19b038ec25624de611efc9b90be28c35a1f53c9ab/AapoHuhta_VNT_ArsNova_007.jpg" /&#62;

&#60;img width="1280" height="1706" width_o="1280" height_o="1706" data-src="https://freight.cargo.site/t/original/i/ac76bd2252981c79c3feb165377bae5be7d33b52de752ecd2862b97a2477f407/OmatandangoleWEB_017.jpg" data-mid="108475282" border="0"  src="https://freight.cargo.site/w/1000/i/ac76bd2252981c79c3feb165377bae5be7d33b52de752ecd2862b97a2477f407/OmatandangoleWEB_017.jpg" /&#62;
&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/b2bec72cc7e0fed5476161477d5f5db5199fc3cd634c773c3e19407aeb33c8e6/OmatandangoleWEB_009.jpg" data-mid="108475293" border="0"  src="https://freight.cargo.site/w/1000/i/b2bec72cc7e0fed5476161477d5f5db5199fc3cd634c773c3e19407aeb33c8e6/OmatandangoleWEB_009.jpg" /&#62;
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&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/e4bc47f570a34da0c4ebfe47b1a52cd4b1e21ba41d8b2fcf964fc1350f82be62/OmatandangoleBookSpreads_007.jpg" data-mid="108475264" border="0"  src="https://freight.cargo.site/w/1000/i/e4bc47f570a34da0c4ebfe47b1a52cd4b1e21ba41d8b2fcf964fc1350f82be62/OmatandangoleBookSpreads_007.jpg" /&#62;

&#60;img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/4ed5db48c1eabd103bd80d2a8c3af52332d1a11b063794663109ff89429bfffb/AapoHuhta_VNT_ArsNova_006.jpg" data-mid="108475325" border="0"  src="https://freight.cargo.site/w/1000/i/4ed5db48c1eabd103bd80d2a8c3af52332d1a11b063794663109ff89429bfffb/AapoHuhta_VNT_ArsNova_006.jpg" /&#62;
&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/0141bad753fb7fbe5e7fa4a9dcc78b077ba333ce7423bff3e61f3f745857d331/OmatandangoleWEB_023.jpg" data-mid="108475287" border="0"  src="https://freight.cargo.site/w/1000/i/0141bad753fb7fbe5e7fa4a9dcc78b077ba333ce7423bff3e61f3f745857d331/OmatandangoleWEB_023.jpg" /&#62;


&#60;img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/c451b622d2c29122ef1f835420f7ddaaa008a4f458cd5d9d7bee09ffb6e57bac/2020.12.09.Vaslisouza_AapoHuhta_HighRes_04.jpg" data-mid="108476750" border="0"  src="https://freight.cargo.site/w/1000/i/c451b622d2c29122ef1f835420f7ddaaa008a4f458cd5d9d7bee09ffb6e57bac/2020.12.09.Vaslisouza_AapoHuhta_HighRes_04.jpg" /&#62;

EXHIBITIONS
Fotogalleri Vasli Souza, Oslo Norway, 6.12.2020-3.1.2021Aboa Vetus Ars Nova, Turku Finland, 27.11.2020-23.5.2021Tampere Art Museum, Finland, 12.9.2020-8.11.2020Maimano House, Budapest Hungary, 20.6.2020-9.8.2020

PRESS
The British Journal of PhotographyPhoto-EyeUnseen PlatformThe Washington PostPhroom Platform
Photobook JournalHelsingin Sanomat Turun SanomatAamulehtiYleKwerfeldeinPunktFor signed copies, please email me at aapohuhta(##)gmail . com



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	</item>
		
		
	<item>
		<title>Self Portrait</title>
				
		<link>https://aapohuhta.com/Self-Portrait</link>

		<pubDate>Thu, 04 Aug 2022 14:25:26 +0000</pubDate>

		<dc:creator>Portfolio :: Aapo Huhta </dc:creator>

		<guid isPermaLink="true">https://aapohuhta.com/Self-Portrait</guid>

		<description>&#60;img width="1280" height="549" width_o="1280" height_o="549" data-src="https://freight.cargo.site/t/original/i/1ff88365834c72a4af5a1f7571276ae3a8973ccb3ea66e6369380825414fa5d7/StillsFromTheVideo_SelfPportrait_2020.jpg" data-mid="149624963" border="0"  src="https://freight.cargo.site/w/1000/i/1ff88365834c72a4af5a1f7571276ae3a8973ccb3ea66e6369380825414fa5d7/StillsFromTheVideo_SelfPportrait_2020.jpg" /&#62;Self Portrait
HD Video, &#38;nbsp;Aspect Ratio 21:9, 7:38 min

&#60;img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/1bda044ec4c934021ad511dcb8d4e37c40d8a7c092dda6c8896b8405e338aa52/SelfPortraitV.jpg" data-mid="149624962" border="0"  src="https://freight.cargo.site/w/1000/i/1bda044ec4c934021ad511dcb8d4e37c40d8a7c092dda6c8896b8405e338aa52/SelfPortraitV.jpg" /&#62;</description>
		
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	<item>
		<title>Block</title>
				
		<link>https://aapohuhta.com/Block</link>

		<pubDate>Fri, 14 May 2021 17:49:16 +0000</pubDate>

		<dc:creator>Portfolio :: Aapo Huhta </dc:creator>

		<guid isPermaLink="true">https://aapohuhta.com/Block</guid>

		<description>&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/0f77677c8805b3d63baba4bcf831a7b88a89e55e856c8f6984b4bc8c1ec0ceba/Block_WEB003.jpg" data-mid="108475736" border="0"  src="https://freight.cargo.site/w/1000/i/0f77677c8805b3d63baba4bcf831a7b88a89e55e856c8f6984b4bc8c1ec0ceba/Block_WEB003.jpg" /&#62;Block
Block is a photographic essay, amassed as a set of visions, offering hints for storylines in a murky, dystopic scene of the city witnessed by a stranger. Focusing on gray, concrete features with some people as spectators, narrowing down the elements in the frame, driven most often by the observation of the shapes the light creates, it alludes to a mute perspective toward contemporary city life and the people’s role in it.Simultaneously it is a story where the photographer plays the role of a protagonist in the big city that throws a newcomer into its infinite whirl of new people and peculiar surroundings. Photographs for the series were shot in New York between 2014 and 2015.The book was published by Kehrer Verlag, 2015.
&#60;img width="1280" height="1707" width_o="1280" height_o="1707" data-src="https://freight.cargo.site/t/original/i/65bac9ab575ea9b0ed89e180f05c94921e2b18e3f762e8c9e8aeeda9c28e0e98/Block_WEB004.jpg" data-mid="108475744" border="0"  src="https://freight.cargo.site/w/1000/i/65bac9ab575ea9b0ed89e180f05c94921e2b18e3f762e8c9e8aeeda9c28e0e98/Block_WEB004.jpg" /&#62;
&#60;img width="1280" height="1707" width_o="1280" height_o="1707" data-src="https://freight.cargo.site/t/original/i/acd6863629a99cf7fea17243af4fdea9d8833a3a47cd5cabacb9ab2e9af70981/Block_WEB013.jpg" data-mid="108475751" border="0"  src="https://freight.cargo.site/w/1000/i/acd6863629a99cf7fea17243af4fdea9d8833a3a47cd5cabacb9ab2e9af70981/Block_WEB013.jpg" /&#62;
&#60;img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/7436598d7b7570defcac8a83cac256aa639551e357ed91ee5967c318b088a934/Block_WEB002.jpg" data-mid="108475735" border="0"  src="https://freight.cargo.site/w/1000/i/7436598d7b7570defcac8a83cac256aa639551e357ed91ee5967c318b088a934/Block_WEB002.jpg" /&#62;

&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/d6d513f345be00161c19cd8b15417bc7ff87728f180d0aa0734f9b5572abc46d/AapoHuhta_VNT_ArsNova_003.jpg" data-mid="108475729" border="0"  src="https://freight.cargo.site/w/1000/i/d6d513f345be00161c19cd8b15417bc7ff87728f180d0aa0734f9b5572abc46d/AapoHuhta_VNT_ArsNova_003.jpg" /&#62;


&#60;img width="1280" height="1706" width_o="1280" height_o="1706" data-src="https://freight.cargo.site/t/original/i/aab56de48b1b206565469356cc40c269076b3ac5ad2710d84b8ef1a43af48519/Block_WEB005.jpg" data-mid="108475731" border="0"  src="https://freight.cargo.site/w/1000/i/aab56de48b1b206565469356cc40c269076b3ac5ad2710d84b8ef1a43af48519/Block_WEB005.jpg" /&#62;
&#60;img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/ac555165fe2e7943dbb119dcfe1045e418c95033ac3362a87a42bfec74da8a27/Block_WEB001.jpg" data-mid="108475734" border="0"  src="https://freight.cargo.site/w/1000/i/ac555165fe2e7943dbb119dcfe1045e418c95033ac3362a87a42bfec74da8a27/Block_WEB001.jpg" /&#62;
&#60;img width="1280" height="1707" width_o="1280" height_o="1707" data-src="https://freight.cargo.site/t/original/i/641176a254e5272ed2a6cfe1db6c578d3766b0e6ecb97db37536a7ac40f410ca/Block_WEB011.jpg" data-mid="108475741" border="0"  src="https://freight.cargo.site/w/1000/i/641176a254e5272ed2a6cfe1db6c578d3766b0e6ecb97db37536a7ac40f410ca/Block_WEB011.jpg" /&#62;
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&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/a0cc043ee0c017d248039ee340764b03d4dff840c7aff008e97cfca7e306bc09/AapoHuhta_VNT_ArsNova_002.jpg" data-mid="108475728" border="0"  src="https://freight.cargo.site/w/1000/i/a0cc043ee0c017d248039ee340764b03d4dff840c7aff008e97cfca7e306bc09/AapoHuhta_VNT_ArsNova_002.jpg" /&#62;
&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/6f74060f3965d2f624a7679fbaca9e0c278465f6ec7a0e6f8776c4bab13b12cd/Block_WEB007.jpg" data-mid="108475747" border="0"  src="https://freight.cargo.site/w/1000/i/6f74060f3965d2f624a7679fbaca9e0c278465f6ec7a0e6f8776c4bab13b12cd/Block_WEB007.jpg" /&#62;

&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/b1ad88d84368c4784596f53c359721942ca865de95b82121b05cabc666b91168/Block_WEB006.jpg" data-mid="108475746" border="0"  src="https://freight.cargo.site/w/1000/i/b1ad88d84368c4784596f53c359721942ca865de95b82121b05cabc666b91168/Block_WEB006.jpg" /&#62;

&#60;img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/9754b1afd0448fa795cd15f7be9bfabd686e5f9618890db374efc1dfca43a632/Block_WEB020.jpg" data-mid="108475738" border="0"  src="https://freight.cargo.site/w/1000/i/9754b1afd0448fa795cd15f7be9bfabd686e5f9618890db374efc1dfca43a632/Block_WEB020.jpg" /&#62;


&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/a88f56a1686246bd1f0a4bce5081eed77c548c9feef3911615526053b2dd8bf8/Block_WEB018.jpg" data-mid="108475753" border="0"  src="https://freight.cargo.site/w/1000/i/a88f56a1686246bd1f0a4bce5081eed77c548c9feef3911615526053b2dd8bf8/Block_WEB018.jpg" /&#62;
&#60;img width="1280" height="1707" width_o="1280" height_o="1707" data-src="https://freight.cargo.site/t/original/i/f19857d929d876a15742b506bc1bffa836a8a9fdf1bf2668992df5ce0161862e/Block_WEB016.jpg" data-mid="108475733" border="0"  src="https://freight.cargo.site/w/1000/i/f19857d929d876a15742b506bc1bffa836a8a9fdf1bf2668992df5ce0161862e/Block_WEB016.jpg" /&#62;
&#60;img width="1280" height="1707" width_o="1280" height_o="1707" data-src="https://freight.cargo.site/t/original/i/4cf9ae22ea02db2078c2b2782176b2d6b8a330d177759b7e2c8cf9354d456f3d/Block_WEB019.jpg" data-mid="108475743" border="0"  src="https://freight.cargo.site/w/1000/i/4cf9ae22ea02db2078c2b2782176b2d6b8a330d177759b7e2c8cf9354d456f3d/Block_WEB019.jpg" /&#62;

&#60;img width="1280" height="1707" width_o="1280" height_o="1707" data-src="https://freight.cargo.site/t/original/i/9bdbef85b56cbcca06b930446e8df84669f2933d0745d13cabfaa378cd7e4eff/Block_WEB010.jpg" data-mid="108475749" border="0"  src="https://freight.cargo.site/w/1000/i/9bdbef85b56cbcca06b930446e8df84669f2933d0745d13cabfaa378cd7e4eff/Block_WEB010.jpg" /&#62;


&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/afc947433532c936d22266373a56b9249c0ed4f9fbbfaa3f735c6c596f7f4d7e/Block_WEB008.jpg" data-mid="108475748" border="0"  src="https://freight.cargo.site/w/1000/i/afc947433532c936d22266373a56b9249c0ed4f9fbbfaa3f735c6c596f7f4d7e/Block_WEB008.jpg" /&#62;
&#60;img width="1280" height="1707" width_o="1280" height_o="1707" data-src="https://freight.cargo.site/t/original/i/aed0256564687997491e18fa0991c9d071d96a1264e847d5c38479e7b4ccb2f6/Block_WEB009.jpg" data-mid="108475745" border="0"  src="https://freight.cargo.site/w/1000/i/aed0256564687997491e18fa0991c9d071d96a1264e847d5c38479e7b4ccb2f6/Block_WEB009.jpg" /&#62;


&#60;img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/3976576ab5a149bb7561f763cbfdb11bbf52f451057ea497decf86e03330fa1d/Block_WEB022.jpg" data-mid="108475740" border="0"  src="https://freight.cargo.site/w/1000/i/3976576ab5a149bb7561f763cbfdb11bbf52f451057ea497decf86e03330fa1d/Block_WEB022.jpg" /&#62;EXHIBITIONS
Aboa Vetus &#38;amp; Ars Nova, Turku (27.11.2020-23.5.2021)Tampere Art Museum (12.9.2020-8.11.2020)
Fotografiska, Stockholm (9.6.-28.8.2016)Kehrer Galerie, Berlin (25.6.-27.8.2016)Creat Space, Helsinki (10.5.-22.5.2018)Photographic Centre Nykyaika, Tampere (5.1.-28.1.2019)Northern Photographic Centre, Oulu (10.8.-15.9.2019)

PRESSPaper JournalPhoto EyePhroom MagazineGUP Magazine # 47Die Zeit MagazineAPhotoeditorThe PhotobookFotografiskaDazed DigitalKwerfeldeinHelsingin SanomatSveriges Radio
BOOK SIGNINGSUnseen Amsterdam 2015 (NL)Paris Photo 2015 (FR)
FOR SALEPhoto Eye (US)Ain't Bad Editions (US)Tipi Bookshop (BE)Kinokuniya (JP)L'Ascenseur Végétal (FR)The Finnish Museum of Photography (FI)EMMA (FI)Akateeminen (FI)Fotografiska (SE)Gothenburg Art Museum Shop (SE)For signed copies, send me an email at: aapohuhta ($) gmail . com
</description>
		
	</item>
		
		
	<item>
		<title>Short Cut</title>
				
		<link>https://aapohuhta.com/Short-Cut</link>

		<pubDate>Fri, 14 May 2021 22:16:33 +0000</pubDate>

		<dc:creator>Portfolio :: Aapo Huhta </dc:creator>

		<guid isPermaLink="true">https://aapohuhta.com/Short-Cut</guid>

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Short Cut
Short Cut is a collaborative project and a photobook published by Angry Bat, Slovenia 2021. It contains three different, subjective takes, one from each photographer, on the idea of home and its meaning. The participating photographers are Aapo Huhta, Akseli Valmunen and Filippo Zambon. Photographs for the book were made in Helsinki between 2017-2021. For more information, please visit publisher’s webpage. For inquiries, please send email aapohuhta ($$$) g m a i l .com

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	<item>
		<title>Ukkometso</title>
				
		<link>https://aapohuhta.com/Ukkometso</link>

		<pubDate>Thu, 04 Aug 2022 09:05:30 +0000</pubDate>

		<dc:creator>Portfolio :: Aapo Huhta </dc:creator>

		<guid isPermaLink="true">https://aapohuhta.com/Ukkometso</guid>

		<description>&#60;img width="1280" height="1600" width_o="1280" height_o="1600" data-src="https://freight.cargo.site/t/original/i/9da1cb3485aa8bad7d999827a102448f519c7a36033c01009f3a385f65aedf28/Kainuu016.jpg" data-mid="166092834" border="0"  src="https://freight.cargo.site/w/1000/i/9da1cb3485aa8bad7d999827a102448f519c7a36033c01009f3a385f65aedf28/Kainuu016.jpg" /&#62;
Ukkometso
According to Finnish folklore, the world was created out of the shells of gold and iron scaup eggs and the first human was born to a bored goddess impregnated by the wind. According to the same mythology, human life first began in a place called Kalevala, a region now known Kainuu, situated on the western side of the Finnish-Russian border.While Kainuu might have been the birthplace of all humanity, these days it is notorious as the area with the highest suicide rates in Finland. It is also a stronghold of the patriotic 'True Finns' party. It is a place where East and West clash. It is a place with tensions between the free market economy and totalitarianism. Finally, it is a place of steep population decline.With a group of four photographers, we explored this place and its people. Working as a visual collective, each member of the group was free to pursue their own photographic methods. We had the Finnish folklore stories in our minds throughout our explorations and our general aim was to glimpse a connection between the mythical past and whatever remains in the contemporary world. I drove until the roads became too narrow, and visited the houses I found at these remote places. I tried to encounter the inhabitants of these houses and convince them to let me into their homes for a short while.&#38;nbsp;
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WEBPAGEkainuu.tumblr.comEXHIBITIONS 2015 Kainuu Art Museum – Kajaani, Finland2015 Gallery Lasipalatsi – Helsinki, Finland2014 Photographic Centre Peri – Turku, Finland
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